Skip to main content Site map

Music and mind in everyday life


Music and mind in everyday life

Paperback by Clarke, Eric (Heather Professor of Music, University of Oxford); Dibben, Nicola (Department of Music, University of Sheffield); Pitts, Stephanie (Department of Music, University of Sheffield)

Music and mind in everyday life

WAS £44.99   SAVE £6.75

£38.24

ISBN:
9780198525578
Publication Date:
22 Oct 2009
Language:
English
Publisher:
Oxford University Press
Pages:
224 pages
Format:
Paperback
For delivery:
Estimated despatch 14 - 19 May 2024
Music and mind in everyday life

Description

Music pervades everyday life - in homes, on trains and planes, in cars and shops, at births and deaths, at weddings and war, in concert halls, clubs, stadiums, and fields. In so many ways, music marks and orchestrates the ways in which people experience the world together. What is it that makes people want to live their lives to the sound of music, and why do so many of our most private experiences and most public spectacles incorporate - or even depend on - music? 'Music and Mind in Everyday Life' uses psychology to understand musical behaviour and experience in a range of circumstances, including composing and performing, listening and persuading, and teaching and learning. Starting from 'real world' examples of musical experiences, it critically examines the ways in which psychology can explain people's diverse experience of, and engagement with music, focusing on how music is used, acquired, and made in a range of familiar musical contexts. Using a framework of real and imagined musical scenarios, the book draws on a wide range of research in the psychology of music and music education. The book is organized into three central sections. In Making Music it tackles the psychology of playing, improvising, and composing music, understood as closely related and integrated activities. In Using Music the authors address the ways in which people listen to music, manage their emotions, moods, and identities with music, and use music for therapy, persuasion and social control. In Acquiring Music they consider music in human development, and in a range of more formal and informal educational contexts. The final chapter provides an overview of the history and preoccupations of music psychology as a discipline, and concludes with some remarks on the wider significance of music psychology for an understanding of human subjectivity. Drawing on a wide range of research in music psychology and music education, the book will make fascinating reading for musicians and music scholars, as well as those in the fields of music psychology and music education.

Contents

1. Music in people's lives ; MAKING MUSIC ; 2. Motivations and skills ; 3. Expression and communication in performance ; 4. Improvising and composing ; USING MUSIC ; 5. Hearing and listening ; 6. Individuals using music ; 7. Groups using music ; ACQUIRING MUSIC ; 8. Lifelong musical development ; 9. Contexts for learning ; 10. The psychology of music - an overview

Back

University of the Highlands & Islands logo