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Contents

Preface, Anne Wilson Section 1: Textiles in the Expanded Field Introduction, Janis Jefferies, Goldsmiths, University of London, UK 1. New Approaches to Textile Design, Hazel Clark, Parsons, The New School for Design, USA 2. Views from Australia and the Asia Pacific, Diana Wood Conroy, University of Wollongong, Australia 3. Curating Textiles: Stuff That Matters, Sara Martinetti, France, Alice Motard, Raven Row, UK, Alex Sainsbury, Raven Row, UK, and Seth Siegelaub (deceased) 4. Textiles and Architecture, Bradley Quinn, USA 5. Patchworking Ways of Knowing and Making, Kristina Lindstrom and Asa Stahl, Malmo University, Sweden 6. Making Known: The Textiles Toolbox - Psychoanalysis of Seven Types of Textile Thinking, Claire Pajaczkowska, Royal College of Art, UK Section 2: Textile, Narrative, Identity, Archive Introduction, Janis Jefferies, Goldsmiths, University of London, UK 7. Binding Autobiographies: A Jewishing Cloth, Katya Oicherman, Shenkar College of Engineering and Design, Israel 8. Materials, Memories and Metaphors: The Textile Self Re/collected, Solveigh Goett, University of East London, UK 9. Archives of Cloth: Shadows of the Past in Re-Visioning Textiles, Diana Wood Conroy, University of Wollongong, Australia 10. Lived Lives: Materializing Stories of Young Irish Suicide, Seamus McGuinness, Ireland Section 3: Textiles and Globalization Introduction, Hazel Clark, Parsons, The New School for Design, USA 11. Performing Globalization in the Textile Industry: Anne Wilson and Mandy Cano Villalobos, Lisa Vinebaum, School of the Art Institute of Chicago, USA 12. Changing Perceptions of Curatorial Practice in South Asian and Commonwealth Textiles, Jasleen Dhamija, India 13. Quilts for the Twenty-First Century: Activism in the Expanded Field of Quilting, Kirsty Mairi Robertson, University of Western Ontario, Canada 14. Transforming Malaysian Hand Woven Songket in the Contemporary World, June Ngo Siok Kheng, Universiti Malaysia Sarawak, Malaysia 15. Creative Resilience Thinking in Textiles and Fashion, Mathilda Tham, Beckmans College of Design, Sweden 16. Use Your Illusion: Dazzle, Deceit and the 'Vicious Problem' of Textiles and Fashion, Otto von Busch, University of Gothenburg, Sweden Section 4: Textiles and the Curatorial Turn Introduction, Janis Jefferies, Goldsmiths, University of London, UK 17. Curating Extreme Textiles: Designing for High Performance, Matilda McQuaid, Cooper Hewitt, USA 18. Social Fabric: Textiles, Art, Society and Politics, Christine Checinska, University of East London, UK and Grant Watson, Institute of International Visual Arts, UK 19. Innovation in Australian Indigenous Fibre, Margie West, Australia 20. Kaunas Biennial: Spindling from Textile to Public Culture, Ed Carroll, Blue Drum, Ireland 21. A Global Stage: Curating Textiles from the Asia Pacific, Ruth McDougall, Queensland Art Gallery, Australia 22. Envisioning Fibre in the Cultural Heritage of Hangzhou, China, Shi Hui and Xu Jia, China Academy of Art, China 23. The Lausanne International Tapestry Biennials 1962-1995, Giselle Eberhard Cotton, Fondation Toms Pauli, Switzerland Section 5: Textile Technologies and the Sensorial Turn Introduction, Diana Wood Conroy, University of Wollongong, Australia 24. The Fabric of Memory - Towards the Ontology of Contemporary Textiles, Sara Diamond, OCAD University, Canada 25. Indigo Dyeing in the Land of Its Origin: History Unknown, Smritikumar Sarkar, University of Burdwan, India 26. Feeling: Sensing the Affectivity of Emotional Politics Through Textiles, Agnieszka Golda, University of Wollongong, Australia 27. Reviving Kapiak: Understanding the Material Identity of Barkcloth in a Melanesian Society, Graeme Were, University of Queensland, Australia Section 6: Developments in the Field of Textiles, Cloth and Culture Interviews with Annet Couwenberg, Diana Guerrero-Macia, Valerie Kirk, Kay Lawrence, Judith Leeman, Sara Lindsay, Joan Livingstone, Rowland Ricketts, Patrick Segura, Jenni Sorkin, Lisa Vinebaum, Fo Wilson and Anne Wilson Bibliography Index

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